{"id":151,"date":"2018-02-19T17:23:47","date_gmt":"2018-02-19T16:23:47","guid":{"rendered":"http:\/\/carlesromerovidal.com\/?page_id=151"},"modified":"2018-09-12T18:31:22","modified_gmt":"2018-09-12T16:31:22","slug":"bio","status":"publish","type":"page","link":"https:\/\/carlesromerovidal.com\/index.php\/bio\/","title":{"rendered":"BIO\/CONTACT"},"content":{"rendered":"

[et_pb_section bb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb3.7″ background_color=\u00a0\u00bb#f3f3f3″ background_position=\u00a0\u00bbcenter_right\u00a0\u00bb custom_margin=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb][et_pb_row use_custom_width=\u00a0\u00bbon\u00a0\u00bb width_unit=\u00a0\u00bboff\u00a0\u00bb custom_width_percent=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb custom_margin=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb make_equal=\u00a0\u00bbon\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb bg_img_1=\u00a0\u00bbhttp:\/\/carlesromerovidal.com\/wp-content\/uploads\/2018\/06\/carlesphotocool-gris.jpg\u00a0\u00bb padding_top_1=\u00a0\u00bb0px\u00a0\u00bb padding_top_2=\u00a0\u00bb0px\u00a0\u00bb padding_top_3=\u00a0\u00bb0px\u00a0\u00bb padding_right_1=\u00a0\u00bb0px\u00a0\u00bb padding_right_2=\u00a0\u00bb0px\u00a0\u00bb padding_right_3=\u00a0\u00bb0px\u00a0\u00bb padding_bottom_1=\u00a0\u00bb0px\u00a0\u00bb padding_bottom_2=\u00a0\u00bb0px\u00a0\u00bb padding_bottom_3=\u00a0\u00bb0px\u00a0\u00bb padding_left_1=\u00a0\u00bb0px\u00a0\u00bb padding_left_2=\u00a0\u00bb0px\u00a0\u00bb padding_left_3=\u00a0\u00bb15px\u00a0\u00bb padding_3_tablet=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb padding_1_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb padding_2_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb padding_3_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb3.7″ module_alignment=\u00a0\u00bbright\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″][et_pb_text _builder_version=\u00a0\u00bb3.14″ text_font_size=\u00a0\u00bb11px\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb9px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb7px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding=\u00a0\u00bb410px||0px|40px\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb703px|||\u00a0\u00bb custom_padding_phone=\u00a0\u00bb438px||100px|10px\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb]<\/p>\n

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CONTACT<\/h1>\n

CARLES ROMERO VIDAL<\/span><\/p>\n

contact@carlesromerovidal.com<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″][et_pb_accordion open_toggle_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb open_toggle_background_color=\u00a0\u00bb#6f6f6f\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb closed_toggle_background_color=\u00a0\u00bb#999999″ _builder_version=\u00a0\u00bb3.14″ body_font=\u00a0\u00bbMuli||||||||\u00a0\u00bb body_text_align=\u00a0\u00bbjustify\u00a0\u00bb body_text_color=\u00a0\u00bb#ffffff\u00a0\u00bb body_font_size=\u00a0\u00bb13px\u00a0\u00bb body_line_height=\u00a0\u00bb1.5em\u00a0\u00bb body_text_shadow_style=\u00a0\u00bbpreset3″ toggle_level=\u00a0\u00bbh1″ toggle_font=\u00a0\u00bbMuli|200||on|||||\u00a0\u00bb toggle_text_align=\u00a0\u00bbright\u00a0\u00bb toggle_text_color=\u00a0\u00bb#f3f3f3″ toggle_font_size=\u00a0\u00bb24px\u00a0\u00bb toggle_font_size_phone=\u00a0\u00bb18px\u00a0\u00bb toggle_font_size_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb toggle_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb border_width_all=\u00a0\u00bb0px\u00a0\u00bb text_orientation=\u00a0\u00bbleft\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb|0px||\u00a0\u00bb custom_padding=\u00a0\u00bb|95px||\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb60px|64px|20px|0px\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|18px||\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb][et_pb_accordion_item title=\u00a0\u00bbBIOGRAPHIE\u00a0\u00bb open=\u00a0\u00bbon\u00a0\u00bb open_toggle_text_color=\u00a0\u00bb#f3f3f3″ open_toggle_background_color=\u00a0\u00bb#3f3f3f\u00a0\u00bb closed_toggle_text_color=\u00a0\u00bb#b5b5b5″ closed_toggle_background_color=\u00a0\u00bb#3f3f3f\u00a0\u00bb icon_color=\u00a0\u00bb#f3f3f3″ _builder_version=\u00a0\u00bb3.14″ title_text_shadow_horizontal_length=\u00a0\u00bb0em\u00a0\u00bb title_text_shadow_vertical_length=\u00a0\u00bb0em\u00a0\u00bb title_text_shadow_blur_strength=\u00a0\u00bb0em\u00a0\u00bb body_text_shadow_horizontal_length=\u00a0\u00bb0em\u00a0\u00bb body_text_shadow_vertical_length=\u00a0\u00bb0em\u00a0\u00bb body_text_shadow_blur_strength=\u00a0\u00bb0em\u00a0\u00bb border_color_all=\u00a0\u00bb#c9c6c3″ text_orientation=\u00a0\u00bbjustified\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb|30px||\u00a0\u00bb custom_margin_phone=\u00a0\u00bb|30px||\u00a0\u00bb custom_padding=\u00a0\u00bb|50px||50px\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb|40px||40px\u00a0\u00bb custom_padding_phone=\u00a0\u00bb|20px||\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb use_background_color_gradient=\u00a0\u00bboff\u00a0\u00bb background_color_gradient_start=\u00a0\u00bb#2b87da\u00a0\u00bb background_color_gradient_end=\u00a0\u00bb#29c4a9″ background_color_gradient_type=\u00a0\u00bblinear\u00a0\u00bb background_color_gradient_direction=\u00a0\u00bb180deg\u00a0\u00bb background_color_gradient_direction_radial=\u00a0\u00bbcenter\u00a0\u00bb background_color_gradient_start_position=\u00a0\u00bb0%\u00a0\u00bb background_color_gradient_end_position=\u00a0\u00bb100%\u00a0\u00bb background_color_gradient_overlays_image=\u00a0\u00bboff\u00a0\u00bb parallax=\u00a0\u00bboff\u00a0\u00bb parallax_method=\u00a0\u00bbon\u00a0\u00bb background_size=\u00a0\u00bbcover\u00a0\u00bb background_position=\u00a0\u00bbcenter\u00a0\u00bb background_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb background_blend=\u00a0\u00bbnormal\u00a0\u00bb allow_player_pause=\u00a0\u00bboff\u00a0\u00bb background_video_pause_outside_viewport=\u00a0\u00bbon\u00a0\u00bb text_shadow_style=\u00a0\u00bbnone\u00a0\u00bb box_shadow_style=\u00a0\u00bbnone\u00a0\u00bb]<\/p>\n

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N\u00e9 \u00e0 Igualada, petite ville \u00e0 cot\u00e9 de Barcelone, Carles a suivi sa formation d\u2019acteur au \u00ab\u00a0Col.legi de Teatre de Barcelona<\/em>\u00a0\u00bb, puis au Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique<\/em> de Paris, ville o\u00f9 il vit depuis 1996.<\/p>\n

Il s\u2019est nourri ainsi du th\u00e9\u00e2tre classique, jouant de Moli\u00e8re \u00e0 Shakespeare, mais sa curiosit\u00e9 et son intuition l\u2019ont ensuite men\u00e9 vers d\u2019autres fa\u00e7ons de vivre la sc\u00e8ne. Les incursions dans les ateliers des ma\u00eetres <\/em>tels que Romeo Castellucci, Anatoli Vassiliev et Edward Bond lui ont donn\u00e9 le go\u00fbt du risque et le d\u00e9sir d\u2019aller vers des projets sc\u00e9niques plus singuliers et exp\u00e9rimentaux.<\/p>\n

Il cr\u00e9e et joue en fran\u00e7ais le monologue Le Frigo<\/em> de Copi, qu\u2019il traduira lui-m\u00eame en catalan et espagnol pour le jouer dans une tourn\u00e9e franco-espagnole.<\/p>\n

En tant qu\u2019artiste multidisciplinaire, il a particip\u00e9 \u00e0 des projets de dimension sociale comme Les ma\u00eetres du monde<\/em>, spectacle pour com\u00e9diens et marionnettes librement inspir\u00e9 de l\u2019\u0153uvre de Jean Ziegler, porte-parole reconnu de l\u2019alter-mondialisation.<\/p>\n

Carles a choisi d\u2019explorer et d\u2019exp\u00e9rimenter la diversit\u00e9 des arts de la sc\u00e8ne, sa devise\u00a0:
\n\u00ab\u00a0Il y a autant de fa\u00e7ons d\u2019\u00eatre acteur comme d\u2019\u00eatre autre chose\u00a0\u00bb.<\/em><\/p>\n

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FORMATION<\/h3>\n

1997-98<\/strong> \u2022 CONSERVATOIRE NATIONAL SUPERIEUR D\u2019ART DRAMATIQUE (classe de Dominique Valadi\u00e9)
\n1996-97<\/strong> \u2022 DIPLOME D\u2019ETUDES THEATRALES SPECIALIS\u00c9ES \u2013 SORBONNE NOUVELLE \u2013 PARIS III
\n1992-95<\/strong>\u00a0\u2022 DIPLOME D\u2019ART DRAMATIQUE AU COL.LEGI DE TEATRE DE BARCELONA<\/p>\n

2010<\/strong> \u2022 LABORATORI DI TEATRO. Dirig\u00e9 par ROMEO CASTELLUCCI
\n<\/strong>2009 <\/strong> \u2022 JOUER TCHEKHOV. Dirig\u00e9 par ANATOLI VASSILIEV
\n<\/strong>2003<\/strong> \u2022 JOUER L\u2019OBJET CACHE. Dirig\u00e9 par EDWARD BOND
\n<\/strong>1998<\/strong> \u2022 APPROCHE D\u2019UN LANGUAGE VISUEL. Institut International de la Marionnette. Dirig\u00e9 par PHILIPPE GENTY<\/strong><\/p>\n

\n

<\/h3>\n

THEATRE<\/h3>\n

LES MAITRES DU MONDE<\/em> d\u2019apr\u00e8s l\u2019\u0153uvre de Jean Ziegler<\/strong>, mise en sc\u00e8ne Marie-Charlotte Biais<\/strong>.
\nSpectacle pour com\u00e9diens et marionnettes
\nLILIOM<\/em> de Ferenc Molnar<\/strong>, mise en sc\u00e8ne de Vincent Poirier<\/strong>
\nJEANNE D\u2019ARC AU B\u00dbCHER<\/em>\u00a0Oratorio d\u2019Arthur Honegger<\/strong>, livret de Paul Claudel<\/strong>, direction musicale Marc Sustrot<\/strong>, avec Marion Cotillard<\/strong>
\nREI I SENYOR<\/em> de Josep Pous i Pag\u00e8s<\/strong>, mise en sc\u00e8ne Toni Casares<\/strong>, Teatre Nacional de Catalunya
\nATTORE, IL TUO NOME NON E ESATTO<\/em>, performance, mise en sc\u00e8ne Romeo Castellucci<\/strong>. Biennale Teatro di Venezia
\nLA RONDE<\/em> d\u2019Arthur Schnitzler<\/strong>, mise en sc\u00e8ne Annie Pican<\/strong>
\nDANS LA JUNGLE DES VILLES<\/em> de Bertolt Brecht<\/strong>, mise en sc\u00e8ne J\u00e9r\u00e9mie Fabre<\/strong>
\nMETAMORPHOSES<\/em> d\u2019apr\u00e8s Ovide<\/strong>, mise en sc\u00e8ne J\u00e9r\u00e9mie Fabre<\/strong>
\nROMEO ET JULIETTE<\/em> de William Shakespeare<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>
\nLE ROLAND, TRILOGIE<\/em> de et mise en sc\u00e8ne H\u00e9di Tillette de Clermont-Tonerre<\/strong>
\nLA MADONE DES POUBELLES<\/em> de et mise en sc\u00e8ne Jacques Lassalle<\/strong>
\nLA NEVERA<\/em>, monologue de Copi<\/strong>, mise en sc\u00e8ne Vincent Poirier. <\/strong>Jeu et traduction au catalan
\nLE ROLAND 2<\/em> de et mise en sc\u00e8ne H\u00e9di Tillette<\/strong> de Clermont-Tonerre<\/strong>
\nLE FRIGO<\/em> monologue de Copi<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>
\nLOLA, RIEN D\u2019AUTRE<\/em> de et mise en sc\u00e8ne Jacques Lassalle<\/strong>
\nEXTERMINATION DU PEUPLE<\/em> de Werner Schwab<\/strong>, mise en sc\u00e8ne Marie-Charlotte Biais<\/strong>. Spectacle pour com\u00e9diens et marionnettes
\nSUGAR<\/em> d\u2019Eric Sarner<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>. Assistant \u00e0 la mise en sc\u00e8ne
\nTITUS ANDRONICUS<\/em> de Wiliam Shakespeare<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>
\nTROILUS ET CRESSIDA<\/em>, de Wiliam Shakespeare<\/strong>, mise en sc\u00e8ne Xavier Alberti<\/strong>
\nCARESSES<\/em> de Sergi Belbel<\/strong>, mise en sc\u00e8ne Pascale Daniel-Lacombe<\/strong>
\nLE PERTIT VERTIGE<\/em> de Robert Angebaud<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>
\nFRAGMENT D\u2019ALEX<\/em> d\u2019apr\u00e8s No\u00eblle Renaude<\/strong>, mise en sc\u00e8ne Philippe Calvario<\/strong>
\nCABARET LORCA<\/em>, po\u00e8mes de Federico Garcia Lorca<\/strong>. Jeu et mise en sc\u00e8ne Carles Romero Vidal<\/strong>
\nLES AFFAM\u00c9S<\/em> de Sam Shepard<\/strong>, mise en sc\u00e8ne No\u00eblle Casenave<\/strong>
\nHERNANI<\/em> de Victor Hugo<\/strong>, mise en sc\u00e8ne Vincent Poirier<\/strong>
\nLES PRECIEUSES RIDICULES<\/em> de Moli\u00e8re<\/strong>, mise en sc\u00e8ne Oscar Molina<\/strong><\/p>\n

\n

CINEMA<\/h3>\n

LA VIE LOINTAINE<\/em> moyen-m\u00e9trage de S\u00e9bastien Betbeder<\/strong>
\nEN PURE PERTE<\/em> moyen-m\u00e9trage de J\u00e9r\u00e9mie Scheidler<\/strong>
\nCE QUI NOUS LIE<\/em> court-m\u00e9trage de Franck Thoraval<\/strong>
\nNULLE PART O\u00d9 ALLER<\/em> court-m\u00e9trage de Franck Thoraval<\/strong><\/p>\n

\n

RADIO<\/h3>\n

2018<\/strong> \u00a0\u2022\u00a0AUTANT EN EMPORTE L\u2019HISTOIRE : FRIDA KAHLO ET L\u00c9ON TROTSKY<\/em>,
\nR\u00e9alis\u00e9 par Sophie Aude-Picon<\/strong>. France Inter
\n2017<\/strong> \u00a0\u2022\u00a0L\u2019ATELIER FICTION : LAYLA, A PRESENT JE SUIS AU FOND DU MONDE<\/em>,
\nR\u00e9alis\u00e9 par Alexandre Plank<\/strong>, d\u2019apr\u00e8s le spectacle de J\u00e9r\u00e9mie Scheidler<\/strong>. France Culture<\/p>\n

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[\/et_pb_accordion][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

      CONTACT CARLES ROMERO VIDAL contact@carlesromerovidal.com   N\u00e9 \u00e0 Igualada, petite ville \u00e0 cot\u00e9 de Barcelone, Carles a suivi sa formation d\u2019acteur au \u00ab\u00a0Col.legi de Teatre de Barcelona\u00a0\u00bb, puis au Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique de Paris, ville o\u00f9 il vit depuis 1996. Il s\u2019est nourri ainsi du th\u00e9\u00e2tre classique, jouant de Moli\u00e8re […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-151","page","type-page","status-publish","hentry"],"yoast_head":"\nBIO\/CONTACT - CARLES ROMERO VIDAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carlesromerovidal.com\/index.php\/bio\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BIO\/CONTACT - CARLES ROMERO VIDAL\" \/>\n<meta property=\"og:description\" content=\"      CONTACT CARLES ROMERO VIDAL contact@carlesromerovidal.com   N\u00e9 \u00e0 Igualada, petite ville \u00e0 cot\u00e9 de Barcelone, Carles a suivi sa formation d\u2019acteur au \u00ab\u00a0Col.legi de Teatre de Barcelona\u00a0\u00bb, puis au Conservatoire National Sup\u00e9rieur d\u2019Art Dramatique de Paris, ville o\u00f9 il vit depuis 1996. 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